regen bogen, 2015, shellack ink on wall, ca. 250 x 200 cm, photos: Robert Vanis

temporary, Galerie m2a Dresden

regen bogen, 2015, shellack ink on wall, ca. 250 x 200 cm, photos: Robert Vanis

temporary, Galerie m2a Dresden

Light waves of lines flow over the wall and windows at an art festival in a former

military office building in Dresden.

untitled, 2015, shellack ink on glass and wall, ca. 250 x 300 cm

permanent, Dresden Biennale

Light waves of lines flow over the wall and windows at an art festival in a former

military office building in Dresden.

untitled, 2015, shellack ink on glass and wall, ca. 250 x 300 cm

permanent, Dresden Biennale

The drawing is in the main gallery space on the sides of two columns facing each other next to the entrance to the rest of the buliding. The tips of the geometrical shapes end where the edges of the columns meet different heights of the architectural features of the space, like the height of a built-in wall or window or door frames. The lines are very light and melt with the structure of the wallpaper. They resemble the waves of the poured concrete floor.

untitled, 2016, graphite on wall, each side ap. 400 x 70 cm

temporary, GersonHöger Galerie Hamburg

The drawing is in the main gallery space on the sides of two columns facing each other next to the entrance to the rest of the buliding. The tips of the geometrical shapes end where the edges of the columns meet different heights of the architectural features of the space, like the height of a built-in wall or window or door frames. The lines are very light and melt with the structure of the wallpaper. They resemble the waves of the poured concrete floor.

untitled, 2016, graphite on wall, each side ap. 400 x 70 cm

temporary, GersonHöger Galerie Hamburg

The former stalls of a slaughterhouse now hosts an art festival, but the rough athmosphere of the buildings remain.

Over a period of two weeks I covered a part of the walls with a net like graphite drawing, embedding the stains, scratches and cracks as part of the piece.

untitled, 2014, graphite on wall, ca. 300 x 700 cm

temporary, Ostrale Dresden

The former stalls of a slaughterhouse now hosts an art festival, but the rough athmosphere of the buildings remain.

Over a period of two weeks I covered a part of the walls with a net like graphite drawing, embedding the stains, scratches and cracks as part of the piece.

untitled, 2014, graphite on wall, ca. 300 x 700 cm

temporary, Ostrale Dresden

The museum is a located in a former bunker in the homelands of my grandmother. After being displaced, she never looked back. The memories she shares are full of gaps and covered by massive walls that us children can not overcome. We can only guess the grief of displacement.The lines of the drawing are nearly invisible in the shady light, they are stiff raws, but mainly whirls and veils covering the brickwork.

Anneliese, 2016, graphite on wall ca 200 x 200cm, temporary, MWW Muzeum Współczesne Wrcolaw

untitled, 2018, graphite on wall, ca. 300 x 200 cm

permanent, private collection, photos: Robert Vanis

untitled, 2018, graphite on wall, ca. 300 x 200 cm

permanent, private collection, photos: Robert Vanis

Over more than 40 years the guests sitting in three giant barrels in Torgglkeller have left their traces carved into the wood. It has become a chronicle of the people living and passing by in the small alpine town of Chiusa. During the artist in residence the names and love messages were altered with a carved drawing of lines. The title of the work is a pun on the visit of one rather prominent italian fellow that came along a decade before the artist.

Carlo Pedersoli was here, 2017, wood carving, ca. 80 x 100 cm, permanent, Torgglkeller, Chiusa, South Tyrol, Italy

The drawing in a corner of the rose courtyard of the former monastery plays with the shapes of the plants as well as the tapestries of Loreto treasure which are shown in this museum.

Traumlogik, 2017, graphite on wall, ca. 150 x 200 cm, permanent, former monastery, now museum of Chiusa, South Tyrol, Italy

The drawing in a corner of the rose courtyard of the former monastery plays with the shapes of the plants as well as the tapestries of Loreto treasure which are shown in this museum.

Traumlogik, 2017, graphite on wall, ca. 150 x 200 cm, permanent, former monastery, now museum of Chiusa, South Tyrol, Italy

A graphite wall drawing in response to an installation by Anna-Maria Bogner, resembling lines, shapes and relations of Bogners work as well as the exhibtion space.

spatial relations, 2018, graphite on wall, ca. 200 x 350 cm, photos: kunst-dokumentation.com, temporary, sehsaal Wien

A graphite wall drawing in response to an installation by Anna-Maria Bogner, resembling lines, shapes and relations of Bogners work as well as the exhibtion space.

spatial relations, 2018, graphite on wall, ca. 200 x 350 cm, photos: kunst-dokumentation.com, temporary, sehsaal Wien

The drawing was located in the exhibition space in the basement of the Palais Künstlerhaus Bregenz. The composition was inspired by the structrues of the wooden panels of the ceiling, a doorway with linear plaster and the roughly rendered walls. Some of the sketches I did during the process where shown between two sheets of glass in the same room.

Triptychon, 2016, graphite on wall, ca. 300 x 300 cm

temporary, Künstlerhaus Bregenz

The Kunsthalle is a former high-rise bunker with a concrete edged architecture and a light system of overlapping rectangular lamps. Those shapes are reflected in the geometrical wall drawings as an hommage to Frank Stella. The title is the abbreviation of Operating System as well as „Ornament Stella“.

OS, 2015, graphite on wall, ca. 600 x 250 cm, temporary, Kunsthalle Recklinghausen

The Kunsthalle is a former high-rise bunker with a concrete edged architecture and a light system of overlapping rectangular lamps. Those shapes are reflected in the geometrical wall drawings as an hommage to Frank Stella. The title is the abbreviation of Operating System as well as „Ornament Stella“.

OS, 2015, graphite on wall, ca. 600 x 250 cm, temporary, Kunsthalle Recklinghausen

The intervention is located on the stairs of a student hall in Dresden. The janitor had painted over graffiti, leaving geometrical shapes of different wall paint color all over the four stories of the hallways of the old shabby building. 

Zeichnerische Interventionen, 2016, shellack ink on wall, group of several wall drawings on 4 floors,

photos: Robert Vanis, percent for art for Studentenwerk Dresden, permanent

The shapes were an invitation to work on and acted as canvases for the interventional drawings . The drawings stand alone but also melt together as one bigger piece, when the streams and forms are connected over the different spaces. 

Zeichnerische Interventionen, 2016, shellack ink on wall, group of several wall drawings on 4 floors,

photos: Robert Vanis, percent for art for Studentenwerk Dresden, permanent

Some of the work resembles found structures like scratches and the dirt of bike tiles on the walls next to the stairs or the geometries of windows, signs or the heating. 

Zeichnerische Interventionen, 2016, shellack ink on wall, group of several wall drawings on 4 floors,

photos: Robert Vanis, percent for art for Studentenwerk Dresden, permanent

Fugen, 2017, graphite on paper, installation, temporary, Cafe Forelle Hamburg / altonale 2017